The play has been filmed several times, and a new version has just appeared. I look forward to it, as well as hoping to see Journey’s End on stage at some point. Sherriff, R. C. (1968). No Leading Lady: An Autobiography. London: Gollancz. pp.14, 22. ISBN 0-575-00155-0. It might sound like I'm being harsh on this play for some of its class assumptions, but it also shows that the war affected everyone. Soldiers of all classes and all ranks died on the battlefields of World War One. Indeed, the casualty rate amongst frontline officers was horrific. Worse than the ordinary ranks as a percentage. So, if this story is the usual story then that's to be accepted. Because it is a moving story. You do feel for the characters and you sense the oncoming story. I loved the characters, each and every one of them feeling real to me. Complex Stanhope with his inner conflicts and extremely human fears, the dark humorous banter between Osborne and Mason, Hibbert and his terror, the ever changing relationship between Stanhope and the young Raleigh, the enthusiastic, optimistic officer who becomes more and more disillusioned when he begins the truth and sees what happens to men who are fighting.

Raleigh, an 18-year-old officer, reports for the first time to Osborne. Raleigh reveals that he wanted to join the company because his sister is engaged to Stanhope. Osborne detects Raleigh's idolization of Stanhope and gently cautions him that life on the front lines has a habit of changing men.He added: “You get pretty much mixed audiences now. Women might not buy history books about the first world war, but they would go and see that play.” In 1930, James Whale directed an eponymous film based on the play, starring Colin Clive, David Manners and Ian Maclaren. [18] Sometimes you have to read something funny or say something humorous to kill the boredom and drabness of war or as an escape from reality. Do control your laughter on reading what Trotter is reciting. Laurence Olivier starred as Stanhope in the first performance of "Journey's End" in 1928; the play was an instant stage success and remains a remarkable anti-war classic. Stanhope sarcastically states, "How awfully nice – if the Brigadier's pleased", when the Colonel's first concern is whether information has been gathered, not whether all the soldiers have returned safely. Six of ten other ranks have been killed.

The seemingly mundane conversations between the officers worked perfectly to convey the monotony on the front. There’s one scene where several characters are waiting until they must go over the dugout and into no man’s land, and each minute is excruciatingly counted down. They try to fill the space with small talk, but they can’t; they’re about to go on a suicide mission. It’s one of the tensest scenes I’ve read. I read this play for my dissertation, and I really enjoyed it. I had watched the 2017 movie adaption with Sam Clafin and Asa Butterfield before reading the play so I knew what was going to happen. If you haven't watched the movie I would highly recommend it. It's very moving. The road to Journey's End...A Hitch in the Proceedings and other early plays by R C Sherriff". Exploring Surrey's Past. 21 November 2014. During dinner, Trotter decides to make a chart representing the remaining hours until he and his fellow officers can leave the trenches. On a paper he draws 144 circles, intending to fill them in as the hours pass. By the end of dinner, only Stanhope and Osborne remain in the dugout, and Stanhope is exceedingly drunk. He admits that he’s afraid Raleigh will write to his sister—who’s waiting for Stanhope to return—and tell her about his drinking. Stanhope declares that he’s going to censor Raleigh’s letters, and Osborne puts his drunken friend to bed. Geoffrey Dearmer of the Incorporated Stage Society suggested that Sherriff send the script to George Bernard Shaw, because a good word from him would convince the ISS committee to stage it. [1] Shaw replied that, like other sketches of trench life, it was a "useful [corrective] to the romantic conception of war", and that "As a 'slice of life' – horribly abnormal life – I should say let it be performed by all means". [1] Colin Clive as Stanhope in the 1929 production of Journey's End, directed by James Whale

Sherriff had trouble getting Journey's End produced in the West End, writing that "Every management in London had turned the play down. They said people didn't want war plays [...] 'How can I put on a play with no leading lady?' one [theatre manager] had asked complainingly." [1] Sherriff used No Leading Lady as the title of his autobiography, published in 1968. Even though I have read many anti-war poems dealing with the First World War, which were all written by youths like Owen and Sassoon who had experienced the war in the trenches, this is the first time that I have read a play regarding it. Osborne and Raleigh discuss how slowly time passes at the front, and the fact that both of them played rugby before the war and that Osborne was a schoolmaster before he signed up to fight. While Raleigh appears interested, Osborne points out that it is of little use now. Stanhope is angry that Raleigh has been allowed to join him and describes the boy as a hero-worshipper. As Stanhope is in a relationship with Raleigh's sister Madge, he is concerned that Raleigh will write home and inform his sister of Stanhope's drinking. Stanhope tells Osborne that he will censor Raleigh's letters so this will not happen; Osborne does not approve. Stanhope asks if Osborne will monitor Raleigh’s letters for any bad words said about him. Osborne, who everyone calls “Uncle,” refuses. When Stanhope responds by getting very drunk, Osborne helps him get into bed and sleep it off. Everyone knows that Stanhope should take the vacation time (like Captain Hardy) and recover a bit, but Stanhope insists it’s his duty to remain near the front line.